- Eric
Rudd
- is foremost a sculptor specializing in new
technologies. Founding and operating Rudd Studio since 1965, Eric
Rudd has established a reputation for innovative art. Finding synergy with
space, Eric Rudd has also been involved with real estate development,
especially spaces that relate to the arts. As a non-traditional real
estate developer and creator of new businesses, products and
organizations. Eric Rudd has successfully pioneered massive projects
before there was common support.
Artist Eric Rudd has
explored extensively the use of rigid, polyurethane foam. Development of
this industrial process, beginning in 1972, has allowed the realization of
monumental sized sculptures impossible with traditional materials. In 1987,
Rudd also uniquely developed in cooperation with G.E. Plastics, the first
blow-molded, clear Lexan sculptures ever made. These monumental sculptures
incorporate many of the traditional characteristics of glass blowing, but
with a complexity and scale not possible with glass. Since 1995, Rudd has
incorporated latest robotic technologies into his art.
Eric Rudd is interested,
and actively explores, new uses of high-tech industrial polycarbonates in
spray and blow molding processes, as well as in combination with robotics
and other processes/materials. Large-scale projects include installations
with computer programmed mobile viewing chairs that direct the viewers in an
artist-planned time sequence. Opened to the public in 1996, the 15,000
square-foot Dark Ride Project exhibition (www.darkrideproject.org), merges
multi-media and interactive technology with new art forms. Presenting the
art in new ways, the exhibition also expands the audience base by overcoming
cultural, physical, language and educational barriers. A highlight is an
eleven-minute ride on the robotic "Sensory Integrator" through "creative
space." Current studio projects include his “Top Secret Project” involving
new technologies, a monumental epic with 150 life-sized figures for
installation in a chapel, a twelve-foot high robotic sculpture that is
choreographed by a computer, and the expansive “Night Garden of the
Hesperides,” where robotic creatures, the largest 20-feet high and all using
autonomous intelligence technologies, roam about protecting or seeking
four-foot ‘eggs’ in an environment covering 10,000 to 20,000 square feet.
After studies at
American University (1964-68) as well as in Italy and Austria, Rudd joined
the prestigious Jefferson Place Gallery (Washington DC) in 1966, where he
had several one-person shows. He later showed at the Diane Brown
Gallery and exhibited in numerous shows including in the International
Sculpture Conference Exhibition in 1980 and in the Smithsonian's Air and
Space Museum. Among several film and photo documentaries, Rudd was
featured in Foaming- with Eric Rudd made in 1977, by the U.S.I.A. for
television broadcast abroad in 1985 and in Downside-Up for broadcast on PBS
in 2002.
Along with an extensive
exhibition record, Eric Rudd's work is included in private and public
collections in the United States, Europe and Asia, including such museum
collections as San Francisco Museum of Art, Allentown Museum of Art, Joslyn
Museum of Art, The Menil Collection, National Museum of American Art
(Smithsonian) and the Corcoran Gallery of Art, which exhibited his work in
1971 and in a one-person show in 1973. Rudd has taught drawing,
painting and sculpture, including for the Graduate School - United States
Department of Agriculture, Contemporary Artists Center-Berkshire School of
Contemporary Art and for the Corcoran School of Art in Washington DC.
Honors have included a 1978 National Endowment for the Arts Fellowship Grant
and a 1994 three-month fellowship grant from the Japan Foundation, when he
also lectured, produced sculptures and exhibited them in Tokyo.
In 1990, Rudd founded
the Contemporary Artists Center - Berkshire School of Contemporary Art in
the 130,000 square foot Beaver Mill in North Adams, Massachusetts and served
as Director (pro-bono) for ten years. The Center allows artists to
explore new directions using large-scale studio space, industrial materials
and processes as well as to exhibit in its five galleries. The Center
attracts world leading museum and gallery directors, critics, scholars and
artists each summer to work with developing artists.
Rudd has been the
subject of, and has written, many newspaper and magazine articles. He
has also written a play, Wet Paint (and co-directed a production at
Manic Stage, 1999), authored two books, The Art World Dream –
Alternative Strategies for Working Artists and The Art Studio/Loft
Manual – For Ambitious Artists and Creators and is currently working on
several books/plays, including co-writing a new ‘Shakespearean’ play.
Rudd frequently lectures about the business of doing creative work. |

Eric Rudd is president
of Cire Corporation, a real estate development, management and consulting
company specializing in creative solutions for properties. Development
projects have included several commercial, residential and historic
properties in Washington DC and western Massachusetts. Large projects
included the conversion of raw warehouse space into 25 studio/lofts (O
Street Studios) in Washington DC, 34,000 SF - 7th & D Streets Building into
large gallery and arts related commercial spaces, including three floors of
space for the Washington Project for the Arts, and the vacant 130,000 SF
Beaver Mill into arts related uses. Recent and current projects in
North Adams include development of the historic Flatiron Building into 18
condominium residential and retail units and renovation of the 125,000
square foot Eclipse Mill into forty, large studio-loft condominiums.
He is also co-founder of The Rudder Group, a private real estate marketing
and brokerage firm.
As an artist
knowledgeable in business, Rudd was asked to serve on the Northern Berkshire
Economic Council Steering Committee, Northern Berkshire Industrial Park and
Development Corporation's Art Technology Committee, Massachusetts College of
Liberal Arts Foundation, Inc, and board member for the Northern Berkshire
Chamber of Commerce and the Berkshire Visitors Bureau. He has also worked,
informally, to support the new Massachusetts Museum of Contemporary Art,
which opened in North Adams in 1999. He is a current board member of the
Berkshire Visitors Bureau, and a member of the International Association of
Amusement Parks and Attractions, Cultural Arts Alliance and Berkshire
Chamber of Commerce.
- Together with his wife,
he worked as board member of La Festa, Inc. (a community multi-cultural
festival and organization) and established the first 'Grand Auction' in
Northern Berkshire, which raised more than $100,000 for local schools.
Together they have held tours of their loft project and the Contemporary
Artists Center to local groups, held receptions for visiting artists and
directors, including receptions on behalf of the Chamber of Commerce for
visiting Governor Weld and the Berkshire Visitors Bureau as well as hosted
meetings or worked on behalf of many other organizations. His annual “Eagle
Street Beach,” created in 1999, turns an entire street into an urban beach
using 250,000 lbs. of sand. The event, which attracts hundreds of children
and families to participate, is now being done more recently in major cities
around the world. Rudd was honored with the region’s prestigious Francis H.
Hayden Memorial Award in 1999.
- Eric Rudd has been
active throughout the community in developing partnerships between art and
business, as well as the reevaluation and preservation of abandoned historic
buildings. This new awareness has inspired several organizations to
consider new options -- Massachusetts College of Liberal Arts to develop an
arts-management degree program and the country’s first Robotic-Arts Program,
NBIPDC to consider reuse of old mills in an arts’ based economy, and the
City of North Adams to reassess historic properties in its downtown. Eric
Rudd uniquely develops not only imaginative art ideas, but spends time to
allow the community at-large to share in his excitement and energy.
-
- Eric Rudd lives in the
Historic Beaver Mill, North Adams, Massachusetts, with his wife Barbara.
They have two grown children.
|
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SOLO EXHIBITIONS
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2005 Blue Space, Ho Chi Minh City, Vietnam
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2005 Art Space, North Adams, MA
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2002 New England School of Art and Design, Suffolk
University, Boston, MA
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2001 A Chapel for Humanity, North Adams, MA
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1996 Dark Ride Project, North Adams, MA
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1994 Public Art Gallery Aoyama, Tokyo, Japan
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1989 Ten Years, O Street Studios, Washington DC
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1981 Diane Brown Gallery, Washington DC
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1979 Grace Muchmore Gallery, San Francisco, CA
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1979 Ontogens: Diane Brown Gallery, Washington DC
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1977 Fraser's Stable Gallery, Washington DC
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1975 Jefferson Place Gallery, Washington DC
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1973 Corcoran Gallery of Art, Washington DC
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1973 Jefferson Place Gallery, Washington DC
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1971 Hood College, Frederick, MD
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1971 Jefferson Place Gallery, Washington DC
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1969 Jefferson Place Gallery, Washington DC
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SELECTED GROUP EXHIBITIONS
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2009 Not New Work: Vincent Fecteau Selects from the Collection: Lynda Benglis/Judy
Chicago/Friedel Dzubas/ Max Ernst/ Richard Faralla/ Ralph Goings/ Joe Goode/ Charles
Howard/ Ralph Humphrey/ Jess/ Ron Nagle/ Robert Overby/ Dorothy Reid/ Diego
Rivera/ Eric Rudd/ George Segal/ Wayne Thiebaud/ Tom of Finland/ H.C. Westermann/
Chirstopher Wilmarth/ Peter Young. San Francisco Museum of Modern Art, SF, CA
2007 “Big,” Cameron Art Museum, Wilmington, NC
1993 "Old Sheet,” Site Specific Installation, CAC, North Adams, MA 1991 "Open"-
Contemporary Artists Center, North Adams, MA
1989 "30 Years Later"- Gallery K, Washington DC
1986 "Jefferson Place Gallery Show"- 406 Galleries, Washington DC
1986 "Earth Views"- National Air & Space Museum, Smithsonian Institution, Wash. DC
1984 "Sited Toward the Future, Proposals for Public Sculpture"- Arlington Arts Center, Arlington, VA
1984 "Washington Sculpture"-Georgetown Court Artists' Space, Washington DC
1982 "Atlantic Coast-Pacific Coast"- CA College of Arts & Crafts, Oakland, CA
1982 "Hanover"- Osuna Gallery, Washington DC
1980 "Forty American Sculptors"- XII International Sculpture Conference, Wash. DC
1980 "Drawings-13 Washington Sculptors"-Diane Brown Gallery, Wash. DC
1979 "Washington Artists at HEW"- HEW, Washington DC
1979 "Outdoor Sculpture; City Art '79"- Studio Gallery, Washington DC
1979 "35 Washington Painters"- Washington Project for the Arts, Wash. DC
1979 "Second Annual Invitational Sculpture Show"- Art Barn, Washington DC
1978 "Outdoor Sculpture '78"- Northern Virginia Community College, Annadale, VA
1978 "Art '78, Washington"- Fellus Gallery, Washington DC
1977 "Eight Washington Artists"- George Meany Center for Labor Studies, MD
1976 "Collectibles"- Polo Gallery, Washington DC
1976 "Corcoran School of Art,Selected Faculty Show"Corcoran Gallery,WashDC
1975 "Recent Acquisitions-Drawings and Prints"- Smithsonian Institution, Washington DC
1973 "Group Show"- Kingpitcher Gallery, Pittsburgh, PA
1973 "Drawings and Small Works"-Washington Gallery of Art, Washington DC
1971 "Group Show"- O.K. Harris Gallery, New York, NY
1971 "Group Show"- St. Mary's College, St. Mary, MD
1970 "Washington 20 Years"- Baltimore Museum of Art, Baltimore, MD
1967 "Group Show"- Washington Gallery of Modern Art, Washington DC
1967 "Eight Washington Artists"- Jewish Community Center, Washington DC
1966 "Eric Rudd & Valerie Hollister"-Jefferson Place Gallery, Washington DC
1965 "Group Show"- Charles Gallery, Baltimore, MD
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PAST ACTIVITIES
-
-
1994 Japan Foundation Artists Fellowship
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1979 National Endowment for the Arts Artists Fellowship
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1966 Second Prize in Painting, Emilio Vedova,
International Academy of Fine Arts, Salzburg, Austria
-
Founding Director, Contemporary Artists Center- Berkshire
School of Contemporary Art - North Adams, MA 1990-1999
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(Founding) Board of Directors, Washington Sculptors Group
1982-90
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Founder of "O Street Studios"- Washington DC 1978-
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Certified Foam Mechanic, Gusmer Corporation, 1974
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Film: "Foaming, with Eric Rudd" 1977 Alison Rose
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Film: "Eric Rudd, Sculptor" 1987 America Today, USIA
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Founder of Eclipse Mill Artist Studio Lofts 2002-03
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-
Author
-
Wet Paint (play),
-
The Art World Dream – Alternative Strategies for Working
Artists,
(book)
-
The Art Studio/Loft Manual – For Ambitious Artists and
Creators
(book),
-
numerous articles (list upon request).
-
-
Residencies
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General Electric Co., G.E. Plastics, Polymer Processing
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Development Center, 1987, 1988, 1991
-
-
Teaching
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Instructor (Drawing, Mixed Media) Corcoran School of Art
1970-76;
-
Instructor, Graduate School, U.S.D.A. 1971-78;
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Instructor, Berkshire School of Contemporary Art 1990-99;
-
Guest Artist, Panelist and Lecturer- list upon request.
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SELECTED COLLECTIONS
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San Francisco Museum of Art, San Francisco, CA
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Ringling Museum of Art, Sarasota, FL
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Allentown Museum of Art, Allentown, PA
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National Museum of American Art, Smithsonian Institution,
Washington DC
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Corcoran Gallery of Art, Washington DC
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Institute of Policy Studies, Washington DC
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Westinghouse Corporation, Washington DC
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The Menil Collection, Houston, TX
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Gulf Texas Corporation, Pittsburgh, PA
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Bethlehem Steel Corporation, Pittsburgh, PA
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Prudential Insurance Company, Hartford, CT
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Joslyn Art Museum, Omaha, NE
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Peat Marwick Collection, Washington DC
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Public Art Research Institute, Tokyo, Japan
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